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Noldus Information Technology noldus facereader
Noldus Facereader, supplied by Noldus Information Technology, used in various techniques. Bioz Stars score: 86/100, based on 1 PubMed citations. ZERO BIAS - scores, article reviews, protocol conditions and more
https://www.bioz.com/product/active+appearance+modeling+algorithm+noldus+facereader/facereader/pmc12405473-35-29-29
Average 86 stars, based on 1 article reviews
noldus facereader - by Bioz Stars, 2026-09
86/100 stars

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Related Articles

other:

Article Title: Reduced task adaptation and contextual awareness in autistic adults during facial emotion recognition: evidence from mixed-effects modeling and automated facial analysis
Article Snippet: We used the automated FER model in FaceReader (Version 9, Noldus, Amsterdam, Netherlands) to estimate the probability of each of the six basic emotions being displayed by each stimulus face.

Article Title: Evaluating a Social Robot Reception Service in an Italian Geriatric Hospital (HOSPER Study): Protocol for a Usability Study.
Article Snippet: Specifically, FaceReader and Observer (Noldus Information Technology) will be used to analyze audio-video recording of interactions.

Article Title: Reduced task adaptation and contextual awareness in autistic adults during facial emotion recognition: evidence from mixed-effects modeling and automated facial analysis.
Article Snippet: We used the automated FER model in FaceReader (Version 9, Noldus, Amsterdam, Netherlands) to estimate the probability of each of the six basic emotions being displayed by each stimulus face.

Comparison:

Article Title: The impact of acting training on emotion recognition and expression: a systematic review
Article Snippet: , USA* , 13–16 (M = 14) , 67.92% F , 53 , Acting class versus visual arts and music class , Group comparison , One-year acting or arts classes , Cognitive reappraisal subscale of the ERQ, ( ); Empathic Accuracy Paradigm ( ); Basic empathy scale for adolescents ( ); Reading the Mind in the Eyes test (RMET) ( ) , No significant differences between the acting group and the other arts groups in their ability in the score of Fiction Emotion Matching, meaning no differences in recognition of sadness and scary.. .. , Germany , undergraduate , 100% F , 70 , Trained actress versus untrained , Group comparison , 70 female actors selected from three well-known picture inventories: The Karolinska Directed Emotional Faces, the Warsaw Set of Emotional Facial Expression pictures and the Radboud Faces Database , FaceReader software and aggregated with Observer XT offline (FR; Version 7.1, Noldus Information Technology; Version 12.5, Noldus Information Technology) , The trained actors produced more intense facial expressions compared to the untrained participants.. .. , Germany , 18–35 , Not mentioned , 288 , Actor versus non-actors , Group comparison , The study recruited professional actors through theatre agencies and drama schools, ensuring that they had received formal training and education. , NBS Presentation (Neurobehavioral Systems) was used to present the speech stimuli to the participants and collect their ratings of the specific vocal expression of emotion and authenticity. , Actors’ expressions were recognised more accurately than the non-actors’ expressions, but only for anger, fear, and joy stimuli, not for sadness, play-acted and authentic..

Expressing:

Article Title: The impact of acting training on emotion recognition and expression: a systematic review
Article Snippet: , USA* , 13–16 (M = 14) , 67.92% F , 53 , Acting class versus visual arts and music class , Group comparison , One-year acting or arts classes , Cognitive reappraisal subscale of the ERQ, ( ); Empathic Accuracy Paradigm ( ); Basic empathy scale for adolescents ( ); Reading the Mind in the Eyes test (RMET) ( ) , No significant differences between the acting group and the other arts groups in their ability in the score of Fiction Emotion Matching, meaning no differences in recognition of sadness and scary.. .. , Germany , undergraduate , 100% F , 70 , Trained actress versus untrained , Group comparison , 70 female actors selected from three well-known picture inventories: The Karolinska Directed Emotional Faces, the Warsaw Set of Emotional Facial Expression pictures and the Radboud Faces Database , FaceReader software and aggregated with Observer XT offline (FR; Version 7.1, Noldus Information Technology; Version 12.5, Noldus Information Technology) , The trained actors produced more intense facial expressions compared to the untrained participants.. .. , Germany , 18–35 , Not mentioned , 288 , Actor versus non-actors , Group comparison , The study recruited professional actors through theatre agencies and drama schools, ensuring that they had received formal training and education. , NBS Presentation (Neurobehavioral Systems) was used to present the speech stimuli to the participants and collect their ratings of the specific vocal expression of emotion and authenticity. , Actors’ expressions were recognised more accurately than the non-actors’ expressions, but only for anger, fear, and joy stimuli, not for sadness, play-acted and authentic..

Software:

Article Title: The impact of acting training on emotion recognition and expression: a systematic review
Article Snippet: , USA* , 13–16 (M = 14) , 67.92% F , 53 , Acting class versus visual arts and music class , Group comparison , One-year acting or arts classes , Cognitive reappraisal subscale of the ERQ, ( ); Empathic Accuracy Paradigm ( ); Basic empathy scale for adolescents ( ); Reading the Mind in the Eyes test (RMET) ( ) , No significant differences between the acting group and the other arts groups in their ability in the score of Fiction Emotion Matching, meaning no differences in recognition of sadness and scary.. .. , Germany , undergraduate , 100% F , 70 , Trained actress versus untrained , Group comparison , 70 female actors selected from three well-known picture inventories: The Karolinska Directed Emotional Faces, the Warsaw Set of Emotional Facial Expression pictures and the Radboud Faces Database , FaceReader software and aggregated with Observer XT offline (FR; Version 7.1, Noldus Information Technology; Version 12.5, Noldus Information Technology) , The trained actors produced more intense facial expressions compared to the untrained participants.. .. , Germany , 18–35 , Not mentioned , 288 , Actor versus non-actors , Group comparison , The study recruited professional actors through theatre agencies and drama schools, ensuring that they had received formal training and education. , NBS Presentation (Neurobehavioral Systems) was used to present the speech stimuli to the participants and collect their ratings of the specific vocal expression of emotion and authenticity. , Actors’ expressions were recognised more accurately than the non-actors’ expressions, but only for anger, fear, and joy stimuli, not for sadness, play-acted and authentic..

Article Title: Don't predict if you cannot interpret: investigating the clinical viability of facial movements for machine-learning assisted diagnostics of bipolar disorder.
Article Snippet: Background: Numerous studies have explored the possibility of developing automatic detection pipelines that can seamlessly diagnose patients with bipolar disorder (BD) and other mental illnesses.. Such novel diagnostic tools increasingly rely on data sources, such as facial movements, whose relationships to BD have yet to be fully elucidated.. As such, these detection pipelines offer limited clinical value, despite promising performance estimates.

Produced:

Article Title: The impact of acting training on emotion recognition and expression: a systematic review
Article Snippet: , USA* , 13–16 (M = 14) , 67.92% F , 53 , Acting class versus visual arts and music class , Group comparison , One-year acting or arts classes , Cognitive reappraisal subscale of the ERQ, ( ); Empathic Accuracy Paradigm ( ); Basic empathy scale for adolescents ( ); Reading the Mind in the Eyes test (RMET) ( ) , No significant differences between the acting group and the other arts groups in their ability in the score of Fiction Emotion Matching, meaning no differences in recognition of sadness and scary.. .. , Germany , undergraduate , 100% F , 70 , Trained actress versus untrained , Group comparison , 70 female actors selected from three well-known picture inventories: The Karolinska Directed Emotional Faces, the Warsaw Set of Emotional Facial Expression pictures and the Radboud Faces Database , FaceReader software and aggregated with Observer XT offline (FR; Version 7.1, Noldus Information Technology; Version 12.5, Noldus Information Technology) , The trained actors produced more intense facial expressions compared to the untrained participants.. .. , Germany , 18–35 , Not mentioned , 288 , Actor versus non-actors , Group comparison , The study recruited professional actors through theatre agencies and drama schools, ensuring that they had received formal training and education. , NBS Presentation (Neurobehavioral Systems) was used to present the speech stimuli to the participants and collect their ratings of the specific vocal expression of emotion and authenticity. , Actors’ expressions were recognised more accurately than the non-actors’ expressions, but only for anger, fear, and joy stimuli, not for sadness, play-acted and authentic..



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